I am afraid that this post will have most to say to those who travel by train between Kings Cross and Cambridge; but I suspect that my story will resonate with most other people who use London commuter lines.
OK, first off Kings Cross -- and, I guess, a minor quibble. The underground station there serves both Kings Cross and St Pancras (now the Eurostar terminal). Until a few months ago, if you came into Kings Cross on the mainline train you went straight down to the tube -- and, within a minute or two, to whichever line (Northern, Circle, Piccadilly, Hammersmith and City) you fancied. The Eurostar-driven redevelopment of the station means that anyone wanting to get to (say) the Northern line from Kings Cross mainline station has now to walk through a labyrinthine series of passages by a circuitous route which seems to take you over to St Pancras, and then back to the relevant tube platform (10 minutes, briskly) -- even though you know the trains go from just underneath where you started out.
If anyone's worked out how to avoid this marathon, do let us know. I am sure there are some short cuts if you ignore al the forbidding notices saying "No entry to the Northern Line" or whatever (I think this means that there IS an entry to the Northern line this way, but we dont want you to use it.)
But the main whinge of this post (which is unashamedly a whinge) is the misery of the mainline train service, from Cambridge to London.
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At the Metropolitan Museum of Art
The alibi for the trip to New York was a visit to the Metropolitan Museum. The husband is part of a team organising a Syria exhibition at the Royal Academy and wanted to look out some early Christian Syrian material and talk to the curators who might lend it (interestingly -- or horrifyingly -- it turns out that a Syrian exhibition would not be possible in the USA, as Bush's legislation about not dealing with terrorist states extends to cultural objects and projects). We also wanted to "do" the new Roman galleries in detail.
Let me say to start with that there is some fabulous stuff in these galleries -- and interestingly different from what you find in European collections. There are no big bits of 'state art' in New York... it's by and large smaller in scale, but almost everything would provide the subject for a whole lecture. It also shows the necessity of actually SEEING the the things you write about.The bronze image of the goddess Cybele pulled by lions in her chariot is often illustrated in books on Roman religion (including my own). I had never realised before that it was part of some water feature, with the lions' mouths acting as spouts. That makes it something rather different from the cult object it is usually assumed to be.
It made me think that if I was starting my research career all over again, I'd seriously consider going into ancient glassware.
But despite the tremendous riches, there were some problems. Notably some of the labels and information panels. Now, I know from experience that writing museum labels is much harder than people imagine -- and it is too easy to carp.
But the Met didn't come out very well.
Continue reading "At the Metropolitan Museum of Art" »
Posted by Mary Beard on June 30, 2010 at 12:00 PM | Permalink | Comments (26)