The hit song of this summer in Iraq is not some chant in praise of Moqtada al-Sadr but a plaintive, rollicking tale of love and road trips around the country in a communal taxi (the huge GMC Suburbans that are the modern ‘ships of the desert’). In true Iraqi style, Hossam al-Rasam’s chartbuster – which blares from radios in markets and cars stuck in traffic jams – is called “Shotgun”.
Hey Hamoud bring the shotgun so you hear its gunfire
See the look from the eyes of my love and compare them to it,
The shotgun might miss its target sometimes,
But sorry Hamoud the look from her eyes are always lethal
To Ramadi, to Ramadi, take me to Ramadi
Oh GMC driver! take me back to Ramadi. My family is all in Ramadi
Oh Hamoud when she looks, men will fall on both sides,
Her eyes are like a rifle, and you can't tell from where the bullets are coming
The shotgun didn't kill me, but listen to me Hamoud the look from her eyes did
Oh Hamoud forgive me the look from her eyes is lethal
To Basra, this beautiful victorious Basra
Take me to Basra.
Oh GMC driver take me back again to Ramadi
Oh Hilla, the love of Hilla killed me I was raised in the hands of Hilla
Nothing is more beautiful than Hilla
If they ask me from where you are, I would say I'm from Hilla
Oh GMC driver take me back again to Ramadi
Our people are in Ramadi.
It is a song that captures the moment in Iraq. For years, people have been too afraid to travel the lawless roads, where Al Qaeda or Shia militias set up checkpoints with total impunity: they would fall on people from the wrong sect, or linked to the government in some way, drag them from their cars and execute them on the spot, stealing or burning their cars in front of other shocked travelers.
They weren’t big fans of pop jingles, either.
But those days are gone, at least for the time being. Iraq’s roads are now encrusted with army and police checkpoints, and the troops are actually equipped with professional, heavy-duty equipment – armoured trucks and Humvees with .50 cal machineguns, giant Hesco sandbags surrounding little Beau Geste desert forts.
A year ago, you never knew who was actually manning Iraq’s impromptu checkpoints – Mahdi militiamen in army uniforms, or policemen in league with crime gangs who would radio your vehicle description ahead so you could be kidnapped on some lonely, desert highway. This summer, however, that has changed. Even western journalists – the most conspicuous targets for kidnapping – can drive from Baghdad to Basra (albeit dressed in Iraqi clothes, and in my case with my brown hair dyed jet black), a journey that has been off limits for three years or more. Until recently, you would have to take the once-a-week plane to the southern port, then risk driving into a militia-controlled city where any one of a dozen armed Islamist Mafias could pick you off at any time. Either that or arrange an embed with the British military.
Now, driving into Basra is like driving into a military camp – blast walls and ID checks, the occasional Soviet-era tank squatting on a bridge next to some brand new, US-issue MRAP anti-mine troop carrier. It feels like a different country. You can even drive into the Triangle of Death, just south of Baghdad, where just last year an American army unit was ambushed and two of its soldiers carried off to a gruesome death.
Driving south through Baghdad, you pass through a concrete canyon of high blast walls that separate one warring neighbourhood from another. The road is thick with checkpoints, some occasionally manned by the so-called 'Sons of Iraq,' the former Sunni insurgents who now form armed neighbourhood watch patrols and are paid by the US military.
Speeding down the road, you occasionally pass a concrete barrier with a cryptic message spelled out in duct tape: “SOI CP - Do Not Shoot.” This indicates a Sons of Iraq checkpoint: the militiamen often do not wear uniforms, and are therefore susceptible to being shot at by their nervous US allies, given that all gunmen look pretty much the same. It reminded me of a something a colleague reported in the chaotic days after the invasion in 2003 – at a newly reopened Baghdad courthouse, a man in suit with a sign hanging round his neck in English: “Judge, do not arrest.”
Some things don’t change that much.
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